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Carolin Schelkle is a German Industrial Designer and Material-Researcher. She holds a Bachelor of Arts in Product- and Communication Design from the Free University of Bolzano↗ and a Master of Product Design from écal↗ (Ecole cantonale d'art de Lausanne).

Her work is led by exploring the life of products and raw materials and driven by curiosity, field studies and cross-disciplinary research. The investigations cover a broad range of typologies, including materials, processes, products, spaces and exhibitions, materialized through extensive experimenting, sampling and prototyping. The research results either in the record of a process itself or in a commercial product, encouraging a deeper understanding of the materials and products that surround us.


 


Participations / Exhibitions

2023
Bioreginoal Design Practices
Exhibition for Atelier LUMA↗
at ALCOVA, Salone del Mobile
Milan

2023
Talk at PRADA FRAMES↗ Materials in Flux
Symposium curated by Formafantasma↗
Milan

2022
Rethinking the Wheel↗
Exhibition for MINI Cooper↗
Zürich 

2021
Non-Extractive Architecture
Workshop curated by Space Caviar↗
V–A–C Zattere↗
Venice 

2019
Biolife Fair↗
Exhibition of the project New Menu
Bozen/Bolzano 



Awards

Pure Talents contests↗ Winner, Project: Wasted Treasure↗, 2024

Eyes on Talents↗ Winner, Project: The Black Sheep of the Wool Industry↗, 2022



© Carolin Schelkle, 2024, all rights reserved




 
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Carolin Schelkle is an Industrial Designer and Material-Researcher. She holds a Bachelor of Arts in Product Design from the Free University of Bolzano↗ and a Master of Product Design from écal↗ (Ecole cantonale d'art de Lausanne).

Her work is led by exploring the life of products and raw materials and driven by curiosity, field studies and cross-disciplinary research. The investigations cover a broad range of typologies, including materials, processes, products, spaces and exhibitions, materialized through extensive experimenting, sampling and prototyping. The research results either in the record of a process itself or in a commercial product, encouraging a deeper understanding of the materials and products that surround us.
 

Heimat-Verbunden


     The detail of the wood joint can be found in the majority of traditional furniture. All the good aspects of traditional handcraft combine in the detail of the wood joint: environmentally friendly, use of local wood, reduction of materials and, most importantly, no need for screws or nails. By holding a discourse on the material wood and the detail of the wood joint, this project draws attention to the almost forgotten handcraft and tradition of South Tyrol. 









     The result is a family of four objects: a nutcracker, a pepper mill, a mortar and a lemon squeezer. Each one of them is focused on the detail of the wood joint by serving, both as a useful construction element and an aesthetic detail. Changing the typology from heavy furniture to small in-between objects highlights the wood joint and the discourse with the material.

























Contributors:

     WOODWORK SUPPORT Valentin Riegler
     SUPERVISION  Nitzan Cohen↗


Context

     Project developed at unibz↗